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Yvette Nicole Brown Replacing Chris Hardwick For ‘Walking Dead’ At SDCC

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Listening to the pleas of fans, AMC has asked mega-fan Yvette Nicole Brown to take over moderating The Walking Dead panel at Comic-Con later this month.

While the cabler hasn’t said anything publicly yet, Deadline has learned that the Talking Dead regular and Mom actor will replace long time TWD SDCC panel host Chris Hardwick on July 20. Hardwick was accused of emotional abuse and sexual assault by an ex-girlfriend last month. A frequent presence at the San Diego confab, the early afternoon panel for TWD and spinoff Fear The Walking Dead is Brown’s Hall H moderating debut for the AMC shows.

Details are still being finalized but the 11:15 – 1:15 gathering in the San Diego Convention Center’s biggest venue is expected to include Andrew Lincoln, Danai Gurira, Melissa McBride, Jeffrey Dean Morgan, Norman Reedus, FearTWD’s Kim Dickens, Alycia Debnam-Carey, Colman Domingo and Lennie James plus EPs Gale Anne Hurd, Robert Kirkman and new TWD showrunner Angela Kang among others. If past years are any indication also expect to learn the premiere date of the new season of TWD and see a sneak preview of what is expected to Lincoln’s final year on the show.

Though Hardwick denies the allegations from Chloe Dykstra, the Talking Dead frontman decided to “step aside” from his TWD and Doctor Who SDCC moderating duties on June 16, AMC announced After remaining mum for a few days, the cabler also said at the time that “while we assess the situation, Talking with Chris Hardwick will not air on AMC.”

The decision came at the 11th hour as Season 2 of Talking with Chris Hardwick was set to premiere on June 17.

Brown’s pick as TWD moderator for SDCC can now only raise speculation that the ex-Community actor will end up as the host of Talking Dead when it returns this fall along with Season 9 of TWD.

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MO’NIQUE SUES NETFLIX FOR DISCRIMINATION

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Mo’Nique is finally taking her accusations against Netflix for discrimination to a court of law … she’s filed a lawsuit.

In the suit, the Oscar-winning actress and comedian accuses Netflix of race-based discrimination for how it negotiated a comedy special with her. She says Netflix offered Amy Schumer $11 million for an hour-long stand-up special (she eventually got $13 mil), but only offered Mo’Nique $500,000 for her stand-up special.

Mo’Nique never accepted their offer, and went on a public campaign … which included coming on “TMZ Live” and calling for a boycott against the company.

According to the suit, she claims Netflix has a severe lack of diversity, which contributes to their discriminatory practices. Specifically, she claims one Netflix exec. — the Chief Communications Officer — used the n-word in a meeting with 60 people in 2018. Mo’Nique was not present for that meeting.

She also claims Netflix allowed Kevin Spacey to use the n-word while on the set of “House of Cards” without any consequence. In the suit, she alleges Spacey complained to his personal security guards, “I don’t want [n-words] on my set anymore.” She’s not suing Spacey.

Mo’Nique also used a major pay gap on the Netflix hit, “The Crown,” to illustrate alleged discrimination. She says the actress who plays Queen Elizabeth II was paid $14k per episode less than the actor who played Prince Philip — and it only righted the wrong after there was a public outcry about it.

She’s suing Netflix for unspecified damages, and for an injunction forcing the company to change its discriminatory policies.

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Beverly Hills Cop’ Sequel With Eddie Murphy Jumps to Netflix in Licensing Deal With Paramount

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Netflix has acquired the rights to shoot a new sequel to “Beverly Hills Cop” from Paramount, with star Eddie Murphy and producer Jerry Bruckheimer attached, Viacom CEO Bob Bakish announced Thursday.

The original 1984 action-comedy film, starring Murphy as a quick-witted, trash-talking Detroit cop who investigates his friend’s murder in Beverly Hills, was a huge hit for the studio — and spawned sequels in 1987 and 1994. The three films grossed $736 million worldwide.

Paramount had been developing “Beverly Hills Cop 4” for years — but pulled the project from its release slate in 2016.

In recent years, the studio has made deals with Netflix for completed films, selling “Cloverfield: God Particle” to the streamer for an early 2018 release and offloading overseas rights to the Natalie Portman sci-fi film “Annihilation” after a 17-day U.S. theatrical window. But it’s an unusual move for a studio to license its own IP for an unfinished film.

In recent months, Paramount parent company Viacom has shown an increasing willingness to make revenue-generating deals on its library of content rather than hoard those rights for its own internal streaming services as rivals like Disney, Comcast’s NBCUniversal and WarnerMedia have done.

This week, Viacom’s Nickelodeon announced a multiyear output deal for films and TV series with Netflix. And last month, the company sold the exclusive streaming rights to Comedy Central’s “South Park” to WarnerMedia’s HBO Max in a deal worth at least $500 million.

The “Beverly Hills Cop” deal also comes as Netflix has helped to revive Murphy’s career with its new release “Dolemite Is My Name,” which has generated awards season chatter. The star is also shooting the sequel to another Paramount comedy hit, 1988’s “Coming to America,” that’s due for theatrical release next year.

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The 10 top-earning actresses made almost $300 million less than their male peers this year

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For the second year in a row, Scarlett Johansson is Hollywood’s highest-paid actress, having earned $56 million between June 1, 2018 and June 1, 2019.

According to Forbes’ list of the 10 highest-paid actresses of 2019, most of Johannson’s earnings come from her role as Black Widow. She was the only woman in “Endgame” granted an eight-figure salary up front, as well as 5% earnings on the back end.

Johannson, along with the other nine actresses on the list, including Sofia Vergara and Reese Witherspoon, earned a collective total of about $315 million over the past year. Though that’s a 69% increase from the previous year, Forbes reports that it’s still significantly less than the top 10 highest-paid actors, who collectively earned almost $600 million over the same time period.

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