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The Onion Chief Executive Officer Issued An Apology for “C” Tweet

After deleting the derogatory tweet on its Twitter account, which was directed towards the nine-year old actress, Quvenzhané Wallis, the chief executive of The Onion issued an apology to the star nominated for her outstanding performance in the Beasts of the Southern Wild and the Academy Awards. Steve Hannah, the chief executive, posted on The Onion’s…

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After deleting the derogatory tweet on its Twitter account, which was directed towards the nine-year old actress, Quvenzhané Wallis, the chief executive of The Onion issued an apology to the star nominated for her outstanding performance in the Beasts of the Southern Wild and the Academy Awards.

Steve Hannah, the chief executive, posted on The Onion’s Facebook account, “On behalf of The Onion, I offer my personal apology to Quvenzhané Wallis and the Academy of Motion Picture Arts and Sciences for the tweet that was circulated last night during the Oscars. It was crude and offensive—not to mention inconsistent with The Onion’s commitment to parody and satire, however biting.  No person should be subjected to such a senseless, humor…less comment masquerading as satire.  The tweet was taken down within an hour of publication.

Hannah added, “We have instituted new and tighter Twitter procedures to ensure that this kind of mistake does not occur again. In addition, we are taking immediate steps to discipline those individuals responsible. Miss Wallis, you are young and talented and deserve better. All of us at The Onion are deeply sorry.”

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MO’NIQUE SUES NETFLIX FOR DISCRIMINATION

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Mo’Nique is finally taking her accusations against Netflix for discrimination to a court of law … she’s filed a lawsuit.

In the suit, the Oscar-winning actress and comedian accuses Netflix of race-based discrimination for how it negotiated a comedy special with her. She says Netflix offered Amy Schumer $11 million for an hour-long stand-up special (she eventually got $13 mil), but only offered Mo’Nique $500,000 for her stand-up special.

Mo’Nique never accepted their offer, and went on a public campaign … which included coming on “TMZ Live” and calling for a boycott against the company.

According to the suit, she claims Netflix has a severe lack of diversity, which contributes to their discriminatory practices. Specifically, she claims one Netflix exec. — the Chief Communications Officer — used the n-word in a meeting with 60 people in 2018. Mo’Nique was not present for that meeting.

She also claims Netflix allowed Kevin Spacey to use the n-word while on the set of “House of Cards” without any consequence. In the suit, she alleges Spacey complained to his personal security guards, “I don’t want [n-words] on my set anymore.” She’s not suing Spacey.

Mo’Nique also used a major pay gap on the Netflix hit, “The Crown,” to illustrate alleged discrimination. She says the actress who plays Queen Elizabeth II was paid $14k per episode less than the actor who played Prince Philip — and it only righted the wrong after there was a public outcry about it.

She’s suing Netflix for unspecified damages, and for an injunction forcing the company to change its discriminatory policies.

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Beverly Hills Cop’ Sequel With Eddie Murphy Jumps to Netflix in Licensing Deal With Paramount

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Netflix has acquired the rights to shoot a new sequel to “Beverly Hills Cop” from Paramount, with star Eddie Murphy and producer Jerry Bruckheimer attached, Viacom CEO Bob Bakish announced Thursday.

The original 1984 action-comedy film, starring Murphy as a quick-witted, trash-talking Detroit cop who investigates his friend’s murder in Beverly Hills, was a huge hit for the studio — and spawned sequels in 1987 and 1994. The three films grossed $736 million worldwide.

Paramount had been developing “Beverly Hills Cop 4” for years — but pulled the project from its release slate in 2016.

In recent years, the studio has made deals with Netflix for completed films, selling “Cloverfield: God Particle” to the streamer for an early 2018 release and offloading overseas rights to the Natalie Portman sci-fi film “Annihilation” after a 17-day U.S. theatrical window. But it’s an unusual move for a studio to license its own IP for an unfinished film.

In recent months, Paramount parent company Viacom has shown an increasing willingness to make revenue-generating deals on its library of content rather than hoard those rights for its own internal streaming services as rivals like Disney, Comcast’s NBCUniversal and WarnerMedia have done.

This week, Viacom’s Nickelodeon announced a multiyear output deal for films and TV series with Netflix. And last month, the company sold the exclusive streaming rights to Comedy Central’s “South Park” to WarnerMedia’s HBO Max in a deal worth at least $500 million.

The “Beverly Hills Cop” deal also comes as Netflix has helped to revive Murphy’s career with its new release “Dolemite Is My Name,” which has generated awards season chatter. The star is also shooting the sequel to another Paramount comedy hit, 1988’s “Coming to America,” that’s due for theatrical release next year.

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The 10 top-earning actresses made almost $300 million less than their male peers this year

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For the second year in a row, Scarlett Johansson is Hollywood’s highest-paid actress, having earned $56 million between June 1, 2018 and June 1, 2019.

According to Forbes’ list of the 10 highest-paid actresses of 2019, most of Johannson’s earnings come from her role as Black Widow. She was the only woman in “Endgame” granted an eight-figure salary up front, as well as 5% earnings on the back end.

Johannson, along with the other nine actresses on the list, including Sofia Vergara and Reese Witherspoon, earned a collective total of about $315 million over the past year. Though that’s a 69% increase from the previous year, Forbes reports that it’s still significantly less than the top 10 highest-paid actors, who collectively earned almost $600 million over the same time period.

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