UPDATE 2/12/2012 11:05 PM
STATEMENT FROM BISHOP T.D JAKES
PRODUCER OF “SPARKLE”
We are deeply saddened by the tragic and untimely passing of Whitney Houston, whom we were blessed to have just completed work with on the remake of the film “Sparkle.” We ask the
world to join us in lifting up Whitney’s family in prayer and ask God for their strength and
comfort during this devastatingly difficult time. At the apex of her career, Whitney had no
peer, with a voice that shaped a generation. She has left behind a musical and film legacy that will endure…. she will be sorely missed by us all.
Bishop T.D Jakes
LOS ANGELES (AP) – Whitney Houston, who ruled as pop music’s queen, has died. She was 48.
Houston’s publicist, Kristen Foster, said Saturday that the singer had died, but the cause of her death is still unknown.
News of Houston’s death came on the eve of music’s biggest night — the Grammy Awards. It’s a showcase where she once reigned, and her death was sure to case a heavy pall on Sunday’s ceremony. Houston’s longtime mentor Clive Davis was to hold his annual concert and dinner Saturday; it was unclear if it was going to go forward.
At her peak, Houston the golden girl of the music industry. From the middle 1980s to the late 1990s, she was one of the world’s best-selling artists. She wowed audiences with effortless, powerful, and peerless vocals that were rooted in the black church but made palatable to the masses with a pop sheen.
Her success carried her beyond music to movies, where she starred in hits like “The Bodyguard” and “Waiting To Exhale”.
She had the he perfect voice, and the perfect image: a gorgeous singer who had sex appeal but was never overtly sexual, who maintained perfect poise.
She influenced a generation of younger singers, from Christina Aguilera to Mariah Carey, who when she first came out sounded so much like Houston that many thought it was Houston.
But by the end of her career, Houston became a stunning cautionary tale of the toll of drug use. Her album sales plummeted and the hits stopped coming; her once serene image was shattered by a wild demeanor and bizarre public appearances. She confessed to abusing cocaine, marijuana and pills, and her once pristine voice became raspy and hoarse, unable to hit the high notes as she had during her prime.
“The biggest devil is me. I’m either my best friend or my worst enemy,” Houston told ABC’s Diane Sawyer in an infamous 2002 interview with then-husband Brown by her side.
It was a tragic fall for a superstar who was one of the top-selling artists in pop music history, with more than 55 million records sold in the United States alone.
She seemed to be born into greatness. She was the daughter of gospel singer Cissy Houston, the cousin of 1960s pop diva Dionne Warwick and the goddaughter of Aretha Franklin.
Houston first started singing in the church as a child. In her teens, she sang backup for Chaka Khan, Jermaine Jackson and others, in addition to modeling. It was around that time when music mogul Clive Davis first heard Houston perform.
“The time that I first saw her singing in her mother’s act in a club … it was such a stunning impact,” Davis told “Good Morning America.”
“To hear this young girl breathe such fire into this song. I mean, it really sent the proverbial tingles up my spine,” he added.
Before long, the rest of the country would feel it, too. Houston made her album debut in 1985 with “Whitney Houston,” which sold millions and spawned hit after hit. “Saving All My Love for You” brought her her first Grammy, for best female pop vocal. “How Will I Know,” “You Give Good Love” and “The Greatest Love of All” also became hit singles.
Another multiplatinum album, “Whitney,” came out in 1987 and included hits like “Where Do Broken Hearts Go” and “I Wanna Dance With Somebody.”
The New York Times wrote that Houston “possesses one of her generation’s most powerful gospel-trained voices, but she eschews many of the churchier mannerisms of her forerunners. She uses ornamental gospel phrasing only sparingly, and instead of projecting an earthy, tearful vulnerability, communicates cool self-assurance and strength, building pop ballads to majestic, sustained peaks of intensity.”
Her decision not to follow the more soulful inflections of singers like Franklin drew criticism by some who saw her as playing down her black roots to go pop and reach white audiences. The criticism would become a constant refrain through much of her career. She was even booed during the “Soul Train Awards” in 1989.
“Sometimes it gets down to that, you know?” she told Katie Couric in 1996. “You’re not black enough for them. I don’t know. You’re not R&B enough. You’re very pop. The white audience has taken you away from them.”
Some saw her 1992 marriage to former New Edition member and soul crooner Bobby Brown as an attempt to refute those critics. It seemed to be an odd union; she was seen as pop’s pure princess while he had a bad-boy image, and already had children of his own. (The couple had a daughter, Bobbi Kristina, in 1993.) Over the years, he would be arrested several times, on charges ranging from DUI to failure to pay child support.
But Houston said their true personalities were not as far apart as people may have believed.
“When you love, you love. I mean, do you stop loving somebody because you have different images? You know, Bobby and I basically come from the same place,” she told Rolling Stone in 1993. “You see somebody, and you deal with their image, that’s their image. It’s part of them, it’s not the whole picture. I am not always in a sequined gown. I am nobody’s angel. I can get down and dirty. I can get raunchy.”
It would take several years, however, for the public to see that side of Houston. Her moving 1991 rendition of “The Star Spangled Banner” at the Super Bowl, amid the first Gulf War, set a new standard and once again reaffirmed her as America’s sweetheart.
In 1992, she became a star in the acting world with “The Bodyguard.” Despite mixed reviews, the story of a singer (Houston) guarded by a former Secret Service agent (Kevin Costner) was an international success.
It also gave her perhaps her most memorable hit: a searing, stunning rendition of Dolly Parton’s “I Will Always Love You,” which sat atop the charts for weeks. It was Grammy’s record of the year and best female pop vocal, and the “Bodyguard” soundtrack was named album of the year.
She returned to the big screen in 1995-96 with “Waiting to Exhale” and “The Preacher’s Wife.” Both spawned soundtrack albums, and another hit studio album, “My Love Is Your Love,” in 1998, brought her a Grammy for best female R&B vocal for the cut “It’s Not Right But It’s Okay.”
But during these career and personal highs, Houston was using drugs. In an interview with Oprah Winfrey in 2010, she said by the time “The Preacher’s Wife” was released, “(doing drugs) was an everyday thing. … I would do my work, but after I did my work, for a whole year or two, it was every day. … I wasn’t happy by that point in time. I was losing myself.”
In the interview, Houston blamed her rocky marriage to Brown, which included a charge of domestic abuse against Brown in 1993. They divorced in 2007.
Houston would go to rehab twice before she would declare herself drug-free to Winfrey in 2010. But in the interim, there were missed concert dates, a stop at an airport due to drugs, and public meltdowns.
She was so startlingly thin during a 2001 Michael Jackson tribute concert that rumors spread she had died the next day. Her crude behavior and jittery appearance on Brown’s reality show, “Being Bobby Brown,” was an example of her sad decline. Her Sawyer interview, where she declared “crack is whack,” was often parodied. She dropped out of the spotlight for a few years.
Houston staged what seemed to be a successful comeback with the 2009 album “I Look To You.” The album debuted on the top of the charts, and would eventually go platinum.
Things soon fell apart. A concert to promote the album on “Good Morning America” went awry as Houston’s voice sounded ragged and off-key. She blamed an interview with Winfrey for straining her voice.
A world tour launched overseas, however, only confirmed suspicions that Houston had lost her treasured gift, as she failed to hit notes and left many fans unimpressed; some walked out. Canceled concert dates raised speculation that she may have been abusing drugs, but she denied those claims and said she was in great shape, blaming illness for cancellations.
Copyright 2012 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Johnny Depp splits from girlfriend Polina Glen
Johnny Depp has reportedly split from his girlfriend Polina Glen.
Polina, 24, has ended her relationship with the 56-year-old Hollywood actor and fled back to her Russia after finding the attention surrounding her “scary”, according to friends.
The Pirates of the Caribbean who was previously married to actress Amber Heard and Lori Anne Allison and has children Lily-Rose and Jack, with ex-partner Vanessa Paradis began dating the Russian dancer Polina Glen earlier this year.
However the dancer has ended their relationship and returned to her homeland Russia after becoming overwhelmed by the attention their relationship received.
According to a source, Polina is now keeping her head down in Russia and told Johnny plans to get married were madness.” The source further added that Polina had no interest in Johnny’s stardom or connections. She rather made efforts to ‘keep her head down while living him’ and instead chose to focus on her dance job.
The 24-year-old beauty also felt the actor was too “distracted” by his ongoing legal battle with his ex-wife Amber Heard, whom he sued for defamation for her allegations of domestic abuse against him
MO’NIQUE SUES NETFLIX FOR DISCRIMINATION
Mo’Nique is finally taking her accusations against Netflix for discrimination to a court of law … she’s filed a lawsuit.
In the suit, the Oscar-winning actress and comedian accuses Netflix of race-based discrimination for how it negotiated a comedy special with her. She says Netflix offered Amy Schumer $11 million for an hour-long stand-up special (she eventually got $13 mil), but only offered Mo’Nique $500,000 for her stand-up special.
Mo’Nique never accepted their offer, and went on a public campaign … which included coming on “TMZ Live” and calling for a boycott against the company.
According to the suit, she claims Netflix has a severe lack of diversity, which contributes to their discriminatory practices. Specifically, she claims one Netflix exec. — the Chief Communications Officer — used the n-word in a meeting with 60 people in 2018. Mo’Nique was not present for that meeting.
She also claims Netflix allowed Kevin Spacey to use the n-word while on the set of “House of Cards” without any consequence. In the suit, she alleges Spacey complained to his personal security guards, “I don’t want [n-words] on my set anymore.” She’s not suing Spacey.
Mo’Nique also used a major pay gap on the Netflix hit, “The Crown,” to illustrate alleged discrimination. She says the actress who plays Queen Elizabeth II was paid $14k per episode less than the actor who played Prince Philip — and it only righted the wrong after there was a public outcry about it.
She’s suing Netflix for unspecified damages, and for an injunction forcing the company to change its discriminatory policies.
Beverly Hills Cop’ Sequel With Eddie Murphy Jumps to Netflix in Licensing Deal With Paramount
Netflix has acquired the rights to shoot a new sequel to “Beverly Hills Cop” from Paramount, with star Eddie Murphy and producer Jerry Bruckheimer attached, Viacom CEO Bob Bakish announced Thursday.
The original 1984 action-comedy film, starring Murphy as a quick-witted, trash-talking Detroit cop who investigates his friend’s murder in Beverly Hills, was a huge hit for the studio — and spawned sequels in 1987 and 1994. The three films grossed $736 million worldwide.
Paramount had been developing “Beverly Hills Cop 4” for years — but pulled the project from its release slate in 2016.
In recent years, the studio has made deals with Netflix for completed films, selling “Cloverfield: God Particle” to the streamer for an early 2018 release and offloading overseas rights to the Natalie Portman sci-fi film “Annihilation” after a 17-day U.S. theatrical window. But it’s an unusual move for a studio to license its own IP for an unfinished film.
In recent months, Paramount parent company Viacom has shown an increasing willingness to make revenue-generating deals on its library of content rather than hoard those rights for its own internal streaming services as rivals like Disney, Comcast’s NBCUniversal and WarnerMedia have done.
This week, Viacom’s Nickelodeon announced a multiyear output deal for films and TV series with Netflix. And last month, the company sold the exclusive streaming rights to Comedy Central’s “South Park” to WarnerMedia’s HBO Max in a deal worth at least $500 million.
The “Beverly Hills Cop” deal also comes as Netflix has helped to revive Murphy’s career with its new release “Dolemite Is My Name,” which has generated awards season chatter. The star is also shooting the sequel to another Paramount comedy hit, 1988’s “Coming to America,” that’s due for theatrical release next year.
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