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MTV VMA 2018 Recap

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For an awards show that has taken steps in recent years to de-emphasize gender — retiring the Best Male and Best Female categories, rebranding its signature astronaut-inspired trophy as a Moonperson — the 2018 MTV Video Music Awards were practically split in a guys’ portion and a ladies’ portion, with a string of male performers warming up the stage for a group of women who clearly ruled it.

The 35th iteration of the show, which returned to Radio City Music Hall for the 12th time, kicked off with not a bang but something more like a monsoon: Shawn Mendes held his own wet t-shirt contest with a rain-soaked performance of “In My Blood.” Newcomer Bazzi had no shortage of national-TV exposure as he followed up with “Beautiful,” his second performance in the evening following a bout during the pre-show not long before. Logic, with the help of Ryan Tedder, aimed for yet another statement-making moment with a performance addressing U.S. immigration policy. And then Panic! at the Disco made a stylish and energetic performance that began suspended in the air. The performances were solid, sure, but at times they didn’t feel any more vital to the show than presenters’ bits and banter, or some of the evening’s early acceptance speeches.

You also may notice that all of those performers have something in common. It took almost 45 minutes for the show to get to a performance by a woman: rising star Jessie Reyez, one of several Push Artist of the Year nominees who were given brief time slots — and even smaller stages — to introduce themselves to a larger audience. (One highlight? Hayley Kiyoko, the category’s ultimate winner, who breezed through an abridged version of her song “Curious” after charming the red carpet with shout-outs to her #20GAYTEEN slogan.) And it wasn’t until Nicki Minaj performed a medley of songs from her Queen album in a pre-taped, remote segment that it felt like the VMAs truly got started.

That’s no shade to Mendes by any means — it’s just that, when you think of classic VMAs moments and performances, you probably don’t think of young instrument-playing pop-rock artists showing off their musical chops and credibility. You think of the spectacle, which is what Minaj delivered with her phalynx of dancers and monarch-inspired attire from New York’s Oculus transportation hub. Minaj’s pal and frequent collaborator Ariana Grande had a similar sumptuous set, recreating an all-female version of The Last Supper with slow-motion choreography that turned the VMAs stage into a living music video during “God Is a Woman,” from her just-released Sweetener LP.

 

And then there was J. Lo. When MTV announced that Jennifer Lopez would be this year’s recipient of the Video Vanguard Award, many on the Internet seemed more concerned with crying justice for Missy Elliott, who was the subject of such inexplicably persistent rumors about the honor that she felt compelled to shoot down the chatter on Twitter. But as the first Latinx recipient of the video Vanguard Award — and during a year in which MTV introduced a Best Latin category — Lopez’s latest accolade isn’t insignificant. And in her first VMAs performance since 2001, she offered an abridged version of her Las Vegas residency show with a career-spanning medley that served the choreography you expected and the impressive live vocals you probably didn’t.

The only part of Lopez’s crowning moment that felt off was the person who introduced her and handed her the award: Shawn Mendes, whose connection to her as an artist is… well, what exactly? It was hardly the only odd-couple pairing of the evening: Producers shoe-horned in a tribute to Aretha Franklin by having Madonna come out and monologue about what Franklin meant to her. The Queen of Pop has a personal connection to the Queen of Soul beyond their shared Detroit roots — in typically wry fashion, Madonna shared a story about how singing Aretha Franklin helped her make an impression at an audition that set her career in motion. But the optics weren’t great, considering Madonna’s award-show history of delivering occasionally self-centered homages to black legends, and indeed, most of her tribute to Franklin was spent celebrating her own tenacity during her early days as a starving artist.

 

It wasn’t hard to figure out what Madonna’s original primary purpose was: handing out the video of the year award, which went to Camila Cabello for “Havana.” The singer was hardly the frontrunner in the category, which saw her go up against Childish Gambino’s much-dissected “This Is America” clip and the private Louvre party that was the Carters’ “Apeshit” — competitors who also weren’t in attendance.

But as surprising as it may have been, viewing the win as an at-large endorsement for Cabello is consistent with the show’s waning emphasis on actual music videos. That’s a perennial MTV complaint, sure, but that shift has certainly been reflected in the categories: Last year, the show introduced the artist of the year award, and the song of the year award followed this year — two star-studded categories whose nominees aren’t attached to particular videos. And the most teased and hyped award of the night wasn’t video of the year, either — it was best new artist, which came down to Cardi B and Hayley Kiyoko and, in what was no great shock to anyone given her unstoppable year, went to Cardi.

By the time Cabello won the evening’s big honor (her second award of the night), the show had returned to a male-performances-only third act with mixed results. Travis Scott’s tech-heavy Astroworld medley never quite found its footing, while a sponsored Lauv performance that played during a commercial break after the Madonna-Cabello segment was jarringly anticlimactic. (A Madonna monologue is a tough act to follow for anyone, let alone a still-rising artist fulfilling a brand partnership.) The home stretch wasn’t without bright spots, including Aerosmith — who, despite all the head-scratching news of their performance probably inspired, pulled off a lively grand finale by teaming up with Post Malone for a ripping rendition of “Toys in the Attic.” Still, when it came to this year’s oddly segregated run of show, it’s clear that — to paraphrase the song Grande performed — the women were the deities.

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UNITED MASTERS TEAMS UP WITH THE MATRIX RESURRECTIONS

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BPRW) UNITEDMASTERS TEAMS UP WITH THE MATRIX RESURRECTIONS TO GIVE INDEPENDENT ARTISTS THE OPPORTUNITY TO WIN $15K AND HAVE THEIR MUSIC INCLUDED IN THE FILM’S PROMOTIONAL CAMPAIGN

ORIGINAL SONG “BACK TO LIFE” FROM EMERGING HIP-HOP ARTIST QUANTRELLE WINS GRAND PRIZE; 5 RUNNERS UP TO RECEIVE $1,000

(Prestige Celebrity Magazine) NEW YORK, NY — In celebration of the highly anticipated film The Matrix Resurrections, UnitedMasters – the “record label in your pocket” for independent artists – has joined forces with Warner Bros. Pictures to offer a once-in-a-lifetime opportunity for artists to win $15,000 and have their original music included in the film’s promotional campaign. 

Today, UnitedMasters has revealed rising hip-hop artist and Charlotte, NC native Quantrelle as the winner of the contest. Quantrelle’s song, “Back to Life,” written specially for the open call, will receive the $15,000 cash prize and be featured in The Matrix Resurrections promotional campaign. Quantrelle’s track was selected as the lead song out of thousands of entries.

Quantrelle shared, “When I first started working on this song, the intention was to create a sound that embodied the energy of the movie. Once that feeling was solidified, I got inspired to write lyrics that really speak to the film and are words any Matrix fan would understand. I was really inspired by the scene of Neo dodging bullets, which I watched during the process, and that illustrious moment felt so in sync with what I was going for, that’s when I knew we had something special.”  

Five runners-up were also selected to receive $1,000 each to put towards their music careers. Each track was judged by UnitedMasters’ professional sync team and based on encompassing The Matrix themes, overall creativity, production quality, lyrical content, dynamics, mood, and emotion. The Matrix Resurrections is set to release in U.S. theaters and on HBO Max on December 22nd.

UnitedMasters’ engagement with The Matrix Resurrections aligns with their mission of ensuring the next generation of creators take their futures into their own hands. UnitedMasters is dedicated to helping artists level the playing field by offering opportunities and exclusive resources often reserved for major label acts. The platform gives independent artists access to premium music distribution services, a suite of tools to help directly connect with their fans, and opportunities to connect with brands that want access to premium music produced and owned by independent artists. UnitedMasters artists maintain ownership over their master recording rights while being introduced to millions of new fans worldwide through direct brand partnerships.

About UnitedMasters

Launched in 2017 by Translation founder and music industry veteran Steve Stoute, UnitedMasters is a music technology company that gives creators access to premium music distribution services, a suite of tools to help them directly connect with fans, and opportunities for unique partnerships with some of the world’s biggest brands all while allowing them to maintain full ownership over their master recording rights.

About The Matrix Resurrections

The Matrix Resurrections reunites Keanu Reeves and Carrie-Anne Moss as cinematic icons Neo and Trinity. Return to a world of two realities: one, everyday life; the other, what lies behind it. To find out if his reality is a physical or mental construct, to truly know himself, Mr. Anderson will have to choose to follow the white rabbit once more. And if Thomas…Neo…has learned anything, it’s that choice, while an illusion, is still the only way out of—or into—the Matrix. Of course, Neo already knows what he has to do. But what he doesn’t yet know is the Matrix is stronger, more secure and more dangerous than ever before. Déjà vu.

The film also stars Yahya Abdul-Mateen II, Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jonas, and Jada Pinkett Smith (“Angel Has Fallen,” TV’s “Gotham”).

Lana Wachowski directed from a screenplay by Wachowski & David Mitchell & Aleksander Hemon, based on characters created by The Wachowskis. The film was produced by James McTeigue, Lana Wachowski and Grant Hill. The executive producers were Garrett Grant, Terry Needham, Michael Salven, Karin Wachowski, Jesse Ehrman and Bruce Berman.

Wachowski’s creative team behind the scenes included directors of photography Daniele Massaccesi and John Toll, production designers Hugh Bateup and Peter Walpole, editor Joseph Jett Sally, costume designer Lindsay Pugh, visual effects supervisor Dan Glass, and composers Johnny Klimek and Tom Tykwer.

Warner Bros. Pictures Presents, In Association with Village Roadshow Pictures, In Association with Venus Castina Productions, The Matrix Resurrections. The film will be distributed worldwide by Warner Bros. Pictures. It will be in theaters nationwide and on HBO Max via the Ad-Free plan on December 22, 2021; it will be available on HBO Max in 4K UHD, HDR10, Dolby Vision and Dolby Atmos (English only) on supported devices for 31 days from theatrical release.

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NFL Legend Lawrence Taylor Arrested In Florida

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Retired NFL legend Lawrence Taylor was arrested in Florida on Thursday. The Hall of Fame pass-rusher and longtime Giants star is facing two felony charges for failing to alert authorities to a change in address. This comes 10 years after Taylor, 62, pleaded guilty to charges of sexual misconduct and patronizing a prostitute, resulting in him becoming a registered sex offender — which requires informing authorities of new residences.

Taylor was booked around 8:45 p.m. ET, and released later Thursday night from the Broward County Sheriff’s Office. His attorney, Arthur Aidala, told TMZ that the former linebacker “has been compliant with all of the rules and regulations regarding his legal status for the past decade.” Taylor is “in the middle of a divorce,” however, “and his local police department suggested it would be best if he slept at a nearby hotel.”

“Mr. Taylor was constantly a resident of the marital home where he was registered,” Taylor’s attorney continued, “but on advice of local law enforcement, he was sleeping outside the home. We are confident that this will be dismissed at the first court hearing.”

This isn’t the first time Taylor has been in legal trouble since his 2011 charges. The two-time Super Bowl champion pleaded guilty to DUI charges in 2017 after crashing into a parked police car in Florida. During Taylor’s prestigious playing career, in which he won NFL MVP, went to 10 Pro Bowls and redefined modern-day pass-rushing, the longtime Giant also battled off-field issues, serving a suspension for repeated drug use.

Lawrence Taylor
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Michael Jordan’s Son, Jeffrey, Accused Of Assault In AZ

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Update: September 26th Jeffrey Jordan was booked today for one count of aggravated assault of a healthcare professional. He has since been released.

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Jeffrey is, Michael Jordan‘s 32-year-old son who is now accused of assaulting staff at a hospital in Arizona Friday night, where he was being treated for an injury he sustained in a bar.

Here’s the deal … Jeffrey was at Casa Amigos bar in Scottsdale when he “fell and hit his head,” according to police. They say Jordan then became combative with security who were attempting to escort him out of the bar to receive medical attention.

Scottsdale PD, who were in the area for an unrelated call, were summoned to assist. Cops interviewed bar staff, and eventually deemed the incident “medical in nature,” not criminal. An ambulance was called to transport JJ to a hospital.

After arriving at a local hospital, that’s when things allegedly took a turn.

Jeffrey is accused of assaulting hospital staff while being treated for the injury he sustained at the bar. A report for aggravated assault, a felony, was taken at the hospital.

As for Jeffrey’s side, our sources tell us he was confused and disoriented following the fall.

Jordan was NOT arrested or charged with a crime. As of this morning, he still remains in the hospital.

Police tell us the relevant reports will be sent to the Maricopa County Prosecutors Office … where they will review the case and determine if charges are warranted.

6’1″ Jeffrey, MJ’s oldest son, played college basketball at the University of Illinois, before transferring to the University of Central Florida in 2010. He played 107 college basketball games over his career, averaging about 2 points a game.

This report continues to unfold.

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