For an awards show that has taken steps in recent years to de-emphasize gender — retiring the Best Male and Best Female categories, rebranding its signature astronaut-inspired trophy as a Moonperson — the 2018 MTV Video Music Awards were practically split in a guys’ portion and a ladies’ portion, with a string of male performers warming up the stage for a group of women who clearly ruled it.
The 35th iteration of the show, which returned to Radio City Music Hall for the 12th time, kicked off with not a bang but something more like a monsoon: Shawn Mendes held his own wet t-shirt contest with a rain-soaked performance of “In My Blood.” Newcomer Bazzi had no shortage of national-TV exposure as he followed up with “Beautiful,” his second performance in the evening following a bout during the pre-show not long before. Logic, with the help of Ryan Tedder, aimed for yet another statement-making moment with a performance addressing U.S. immigration policy. And then Panic! at the Disco made a stylish and energetic performance that began suspended in the air. The performances were solid, sure, but at times they didn’t feel any more vital to the show than presenters’ bits and banter, or some of the evening’s early acceptance speeches.
You also may notice that all of those performers have something in common. It took almost 45 minutes for the show to get to a performance by a woman: rising star Jessie Reyez, one of several Push Artist of the Year nominees who were given brief time slots — and even smaller stages — to introduce themselves to a larger audience. (One highlight? Hayley Kiyoko, the category’s ultimate winner, who breezed through an abridged version of her song “Curious” after charming the red carpet with shout-outs to her #20GAYTEEN slogan.) And it wasn’t until Nicki Minaj performed a medley of songs from her Queen album in a pre-taped, remote segment that it felt like the VMAs truly got started.
That’s no shade to Mendes by any means — it’s just that, when you think of classic VMAs moments and performances, you probably don’t think of young instrument-playing pop-rock artists showing off their musical chops and credibility. You think of the spectacle, which is what Minaj delivered with her phalynx of dancers and monarch-inspired attire from New York’s Oculus transportation hub. Minaj’s pal and frequent collaborator Ariana Grande had a similar sumptuous set, recreating an all-female version of The Last Supper with slow-motion choreography that turned the VMAs stage into a living music video during “God Is a Woman,” from her just-released Sweetener LP.
And then there was J. Lo. When MTV announced that Jennifer Lopez would be this year’s recipient of the Video Vanguard Award, many on the Internet seemed more concerned with crying justice for Missy Elliott, who was the subject of such inexplicably persistent rumors about the honor that she felt compelled to shoot down the chatter on Twitter. But as the first Latinx recipient of the video Vanguard Award — and during a year in which MTV introduced a Best Latin category — Lopez’s latest accolade isn’t insignificant. And in her first VMAs performance since 2001, she offered an abridged version of her Las Vegas residency show with a career-spanning medley that served the choreography you expected and the impressive live vocals you probably didn’t.
The only part of Lopez’s crowning moment that felt off was the person who introduced her and handed her the award: Shawn Mendes, whose connection to her as an artist is… well, what exactly? It was hardly the only odd-couple pairing of the evening: Producers shoe-horned in a tribute to Aretha Franklin by having Madonna come out and monologue about what Franklin meant to her. The Queen of Pop has a personal connection to the Queen of Soul beyond their shared Detroit roots — in typically wry fashion, Madonna shared a story about how singing Aretha Franklin helped her make an impression at an audition that set her career in motion. But the optics weren’t great, considering Madonna’s award-show history of delivering occasionally self-centered homages to black legends, and indeed, most of her tribute to Franklin was spent celebrating her own tenacity during her early days as a starving artist.
It wasn’t hard to figure out what Madonna’s original primary purpose was: handing out the video of the year award, which went to Camila Cabello for “Havana.” The singer was hardly the frontrunner in the category, which saw her go up against Childish Gambino’s much-dissected “This Is America” clip and the private Louvre party that was the Carters’ “Apeshit” — competitors who also weren’t in attendance.
But as surprising as it may have been, viewing the win as an at-large endorsement for Cabello is consistent with the show’s waning emphasis on actual music videos. That’s a perennial MTV complaint, sure, but that shift has certainly been reflected in the categories: Last year, the show introduced the artist of the year award, and the song of the year award followed this year — two star-studded categories whose nominees aren’t attached to particular videos. And the most teased and hyped award of the night wasn’t video of the year, either — it was best new artist, which came down to Cardi B and Hayley Kiyoko and, in what was no great shock to anyone given her unstoppable year, went to Cardi.
By the time Cabello won the evening’s big honor (her second award of the night), the show had returned to a male-performances-only third act with mixed results. Travis Scott’s tech-heavy Astroworld medley never quite found its footing, while a sponsored Lauv performance that played during a commercial break after the Madonna-Cabello segment was jarringly anticlimactic. (A Madonna monologue is a tough act to follow for anyone, let alone a still-rising artist fulfilling a brand partnership.) The home stretch wasn’t without bright spots, including Aerosmith — who, despite all the head-scratching news of their performance probably inspired, pulled off a lively grand finale by teaming up with Post Malone for a ripping rendition of “Toys in the Attic.” Still, when it came to this year’s oddly segregated run of show, it’s clear that — to paraphrase the song Grande performed — the women were the deities.
Black Teenager Attacked by Corrections Deputy in Florida, Investigation Underway
A Florida corrections deputy has been placed on leave after going on the attack against a 17-year-old at a juvenile center … and it’s all on video.
The teenager, Terrance Devon Reed III, was taken to the hospital after the violent altercation with Sarasota County Deputy Neil Pizzo last week. The surveillance footage shows Reed sitting on a bench with his arms tucked in his shirt when Pizzo marches toward him.
As Reed stands up and takes his arms out, the deputy immediately goes for his throat. A struggle ensues before Pizzo throws Reed to the ground, but at no point does the teenager appear to fight back.
Another deputy jumps in to try to wrangle Reed’s feet, and that’s when Pizzo strikes the teen on the back of the head multiple times. Reed’s then cuffed and helped to his feet … but not before suffering abrasions to his head.
The altercation reportedly began after Reed — who was previously arrested and charged with contempt of court, probation violations and cocaine possession — became uncooperative in a police lineup.
That, of course, doesn’t justify the violence by the deputy, and Sheriff Tom Knight says he’s disappointed in what he saw and Pizzo’s failure to de-escalate the situation.
Knight says he placed the deputy on administrative duty while an internal investigation is conducted.
Tamar Braxton Boyfriend Files A Restraining Order Indicating Domestic
Tamar Braxton boyfriend is running to court asking for protection against her in what he describes as a domestic violence situation.
The singer’s BF, David Adefeso, filed for a restraining order Tuesday in L.A. seeking to prevent Domestic Violence and he’s asking a judge to grant him one against Tamar. For now, it’s unclear what he’s alleging she might’ve done.
It doesn’t look like the court has approved his request just yet
At any rate, it’s another sign that things have been volatile lately in her life — especially as it pertains to David. Remember, he’s the one who called 911 not too long ago saying Tamar was threatening to kill herself. He also mentioned her WeTV beef to cops at the time.
Also keep in mind … family sources connected to Tamar have told us they believe she’s changed since getting with him — claiming her mood seems to align with his. We’ve also been told that David has come off as controlling in Tamar’s reality show, and that he’s been quite involved in her business decisions of late.
This continues to be a developing story…..
Bodies of US Couple Found at Bottom of Well in Mexico
The bodies of a missing US couple have been found at the bottom of a well in Mexico.
Ian Hirschsohn, 78 and his 73-year-old wife Kathy Harvey had been missing since August 31, when they were supposed to return home to San Diego from a trip across the border.
Their abandoned car was found in Ensenada, just 90 minutes from the US border, last week.
Investigators then made the grim discovery on Thursday in an unpopulated area just south of the tourist hotspot.
The bodies were recovered over the weekend; San Diego police confirmed their identities, CBS8 reported.
Family members said the couple had been staying at a rented house in El Socorrito, about 200 miles south of the border, a town they frequented over the past 35 years.
Kathy texted her son Robert on August 28 to say they were going to either explore a gold mine or visit a beach; however the family lost contact with them on August 31.
After reporting them missing, the Consulate General in Tijuana finally informed the family the couple’s Toyota Land Cruiser had been found in Ensenada.
“She was really enjoying retirement and had multiple groups of friends,” Robert told the site. “She loved walking and traveling. She had a huge bucket list of where she wanted to go.”
An investigation is now underway. The cause of deaths has not been revealed, nor has a motive, but investigators suspect foul play.