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MTV VMA 2018 Recap

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For an awards show that has taken steps in recent years to de-emphasize gender — retiring the Best Male and Best Female categories, rebranding its signature astronaut-inspired trophy as a Moonperson — the 2018 MTV Video Music Awards were practically split in a guys’ portion and a ladies’ portion, with a string of male performers warming up the stage for a group of women who clearly ruled it.

The 35th iteration of the show, which returned to Radio City Music Hall for the 12th time, kicked off with not a bang but something more like a monsoon: Shawn Mendes held his own wet t-shirt contest with a rain-soaked performance of “In My Blood.” Newcomer Bazzi had no shortage of national-TV exposure as he followed up with “Beautiful,” his second performance in the evening following a bout during the pre-show not long before. Logic, with the help of Ryan Tedder, aimed for yet another statement-making moment with a performance addressing U.S. immigration policy. And then Panic! at the Disco made a stylish and energetic performance that began suspended in the air. The performances were solid, sure, but at times they didn’t feel any more vital to the show than presenters’ bits and banter, or some of the evening’s early acceptance speeches.

You also may notice that all of those performers have something in common. It took almost 45 minutes for the show to get to a performance by a woman: rising star Jessie Reyez, one of several Push Artist of the Year nominees who were given brief time slots — and even smaller stages — to introduce themselves to a larger audience. (One highlight? Hayley Kiyoko, the category’s ultimate winner, who breezed through an abridged version of her song “Curious” after charming the red carpet with shout-outs to her #20GAYTEEN slogan.) And it wasn’t until Nicki Minaj performed a medley of songs from her Queen album in a pre-taped, remote segment that it felt like the VMAs truly got started.

That’s no shade to Mendes by any means — it’s just that, when you think of classic VMAs moments and performances, you probably don’t think of young instrument-playing pop-rock artists showing off their musical chops and credibility. You think of the spectacle, which is what Minaj delivered with her phalynx of dancers and monarch-inspired attire from New York’s Oculus transportation hub. Minaj’s pal and frequent collaborator Ariana Grande had a similar sumptuous set, recreating an all-female version of The Last Supper with slow-motion choreography that turned the VMAs stage into a living music video during “God Is a Woman,” from her just-released Sweetener LP.

 

And then there was J. Lo. When MTV announced that Jennifer Lopez would be this year’s recipient of the Video Vanguard Award, many on the Internet seemed more concerned with crying justice for Missy Elliott, who was the subject of such inexplicably persistent rumors about the honor that she felt compelled to shoot down the chatter on Twitter. But as the first Latinx recipient of the video Vanguard Award — and during a year in which MTV introduced a Best Latin category — Lopez’s latest accolade isn’t insignificant. And in her first VMAs performance since 2001, she offered an abridged version of her Las Vegas residency show with a career-spanning medley that served the choreography you expected and the impressive live vocals you probably didn’t.

The only part of Lopez’s crowning moment that felt off was the person who introduced her and handed her the award: Shawn Mendes, whose connection to her as an artist is… well, what exactly? It was hardly the only odd-couple pairing of the evening: Producers shoe-horned in a tribute to Aretha Franklin by having Madonna come out and monologue about what Franklin meant to her. The Queen of Pop has a personal connection to the Queen of Soul beyond their shared Detroit roots — in typically wry fashion, Madonna shared a story about how singing Aretha Franklin helped her make an impression at an audition that set her career in motion. But the optics weren’t great, considering Madonna’s award-show history of delivering occasionally self-centered homages to black legends, and indeed, most of her tribute to Franklin was spent celebrating her own tenacity during her early days as a starving artist.

 

It wasn’t hard to figure out what Madonna’s original primary purpose was: handing out the video of the year award, which went to Camila Cabello for “Havana.” The singer was hardly the frontrunner in the category, which saw her go up against Childish Gambino’s much-dissected “This Is America” clip and the private Louvre party that was the Carters’ “Apeshit” — competitors who also weren’t in attendance.

But as surprising as it may have been, viewing the win as an at-large endorsement for Cabello is consistent with the show’s waning emphasis on actual music videos. That’s a perennial MTV complaint, sure, but that shift has certainly been reflected in the categories: Last year, the show introduced the artist of the year award, and the song of the year award followed this year — two star-studded categories whose nominees aren’t attached to particular videos. And the most teased and hyped award of the night wasn’t video of the year, either — it was best new artist, which came down to Cardi B and Hayley Kiyoko and, in what was no great shock to anyone given her unstoppable year, went to Cardi.

By the time Cabello won the evening’s big honor (her second award of the night), the show had returned to a male-performances-only third act with mixed results. Travis Scott’s tech-heavy Astroworld medley never quite found its footing, while a sponsored Lauv performance that played during a commercial break after the Madonna-Cabello segment was jarringly anticlimactic. (A Madonna monologue is a tough act to follow for anyone, let alone a still-rising artist fulfilling a brand partnership.) The home stretch wasn’t without bright spots, including Aerosmith — who, despite all the head-scratching news of their performance probably inspired, pulled off a lively grand finale by teaming up with Post Malone for a ripping rendition of “Toys in the Attic.” Still, when it came to this year’s oddly segregated run of show, it’s clear that — to paraphrase the song Grande performed — the women were the deities.

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Jennifer Lopez flaunts her abs ahead of 50th birthday: ‘Queen of aging backwards’

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Jennifer Lopez is gearing up to celebrate her 50th birthday in a matter of days. But fans are predicting that she might actually be aging backward after she posted a photo on Instagram on Thursday with her abs on full display.

The singer, who’s currently on her It’s My Party tour, took to her social media to give a shout-out to the fast-approaching Leo season while posing in a workout set.

“How is it fair to be this good looking,” one person commented, while another said, “Yes mama shine like no other.”

Fellow singer Kacey Musgraves also took to Lopez’s comments to deem her the “Queen of aging backward.”

Lopez, whose birthday is on July 24, won’t be taking to the stage on her birthday. It’s likely she’ll be celebrating the milestone year in Florida, where she’ll perform in Orlando on July 23, and then in Miami on July 25. Her fourth concert tour, which she recently started documenting on her YouTube channel, ends on August 11.

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TV ONE’S ORIGINAL MOVIE “SINS OF THE FATHER” PREMIERES TONIGHT AT 8 P.M. ET/7C

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New Thriller Kicks Off Month-Long Slate of LOVE, LIES & MURDER Movies and Features Deitrick Haddon, A.J. Johnson, Clifton Powell, Terayle Hill, Angela Davis, and Danny Pardo
Watch An Exclusive Clip Here!

(ATLANTA) – July 7, 2019 – TV One’s original film SINS OF THE FATHER premieres Sunday, July 7 at 8 P.M./7C, immediately followed by an encore presentation at 10 P.M./9C. The film stars Deitrick Haddon (The Gospel), A.J. Johnson (Baby Boy), Clifton Powell (Ray), Terayle Hill (Merry Wishmas), Angela Davis (I Feel Pretty) and Danny Pardo (SEAL Team). SINS OF THE FATHER is the first movie to kick off TV One’s month of LOVE, LIES & MURDER films which features a series of stories that explore the dark side of love including deceit, betrayal, obsession, and jealousy.

Inspired by TV One’s true crime programming, SINS OF THE FATHER follows Detectives Phylicia Richardson (Johnson) and Perez (Pardo) as they investigate the vicious murder of first lady Karen Burnett (Davis), the beloved wife of Pastor Clarence Burnett (Haddon). The crime sends shock waves through the couple’s close knit Atlanta community and the police are forced to take a deeper look into the Burnett’s inner circle, including Pastor Burnett’s son Robert Banks (Hill). As the interrogation unfolds, family secrets of abuse, infidelity, lust and cruelty are revealed within the Burnett household. The detectives soon discover that the ungodly actions of one person can have a deadly impact on many.

“In a culture where #ChurchHurt has been the trending topic, this film will give the viewer insight on how wolves in sheep’s clothing operate,” said gospel artist and film star Haddon. “Buckle your seatbelt because it’s about to get real!”

SINS OF THE FATHER is written by Katrina O’Gilvie and directed by Jamal Hill, with Leah Daniels-Butler and George Pierre as Casting Directors. The film was produced by Swirl Films, with Eric Tomosunas serving as Executive Producer. Keith Neal, James Seppelfrick, Ron Robinson and Darien Baldwin serve as producers. For TV One, Karen Peterkin is the Executive Producer in Charge of Production, Donyell McCullough is Senior Director of Talent & Casting, and Brigitte McCray is Senior Vice President of Original Programming and Production.

(more…)

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LAPD opens internal affairs inquiry in Nipsey Hussle murder

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Los Angeles police have opened an internal affairs investigation into why the woman who drove the getaway car in the aftermath of rapper Nipsey Hussle’s killing was sent home when she tried to turn herself in during the manhunt for the shooter.

The LAPD’s Office of the Inspector General confirmed Monday that the Internal Affairs Group is investigating a desk officer’s response at the 77th Street station. Capt. Gisselle Espinoza, an LAPD spokeswoman, said the matter is under administrative investigation and she couldn’t release more details.

FILE - This April 4, 2019 file photo shows Eric Holder, the suspect in the killing of rapper Nipsey Hussle in Los Angeles County Superior Court with his attorney Christopher Darden. Holder is charged with murder and two counts of attempted murder in connection with the attack outside Hussle's The Marathon clothing store. Court documents show that Hussle and Holder had a conversation about “snitching” shortly before Hussle was shot. (Patrick T. Fallon/Pool via AP)© Provided by The Associated Press FILE – This April 4, 2019 file photo shows Eric Holder, the suspect in the killing of rapper Nipsey Hussle in Los Angeles County Superior Court with his attorney Christopher Darden. Holder is charged with murder and two counts of attempted murder in connection with the attack outside Hussle’s The Marathon clothing store. Court documents show that Hussle and Holder had a conversation about “snitching” shortly before Hussle was shot. (Patrick T. Fallon/Pool via AP)

Grand jury testimony shows the woman who drove the suspect, Eric R. Holder, away from the March 31 shooting had gone to the station because her car and license plate were on the news.

“Oh my God,” the woman, whose name has not been released, testified that she told her mother. “My car is on here and everything, and I didn’t do anything. I didn’t know this boy was gonna do this.”

Her mother called police but was told detectives wouldn’t be available until 6 a.m. the next day, grand jury transcripts show.

When they arrived at the station the next morning, the front desk officer said “don’t worry about it” and “don’t listen to the news,” the transcript shows. The woman left the station, returning later to speak to detectives after her mother called police again.

LAPD Detective Cedric Washington testified that the woman had been turned away.

“That is true according to the desk officer that I spoke to about it,” Washington said.

“OK. He apparently missed a briefing in the chief’s press conference that day, I guess,” Deputy District Attorney John McKinney said.

Josh Rubenstein, an LAPD spokesman, said Monday in an email that the internal investigation began a few days ago.

“While the initial indications pointed to a miscommunication, we have initiated an administrative investigation to ensure all policies and procedures were followed,” Rubenstein wrote. “We will review all statements that have already been given, interview all of the individuals involved, and look for any potential body cam video that may have captured the interchange.”

Rubenstein told the Los Angeles Times last week there didn’t appear to be any misconduct.

“She was not making herself clear of what she was doing,” Rubenstein said, noting that the officer believed the woman was reporting that someone was just recording video of her car on television.

A grand jury on May 9 returned an indictment charging Holder, 29, with murder, attempted murder and other felonies. He has pleaded not guilty.

The woman testified that Holder was a friend she had known for about a month and that she believed the two were just stopping at a shopping center for food.

She saw Hussle standing outside his South Los Angeles clothing store, The Marathon, expressed her excitement and took a picture with him after overhearing Holder and Hussle’s conversation about “snitching.”

The woman and Holder had pulled out of the shopping center and into a nearby gas station when Holder loaded a gun, told her he would be back and walked back to the shopping center, the woman testified.

She said she heard two gunshots, and Holder returned moments later telling her to drive. She said she didn’t learn Hussle had been shot until later that night.

Witnesses heard Holder and Hussle, both of whom have ties to the Rollin’ 60s street gang, discussing “snitching” minutes before Hussle was shot, according to the transcripts.

Holder was arrested two days later about 20 miles (32 kilometers) from the crime scene.

Hussle, 33, whose real name is Ermias Ashgedom, was a long-respected rapper who had just broken through with a Grammy-nominated album before he was shot and killed.

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